Till the age of five, he
could not speak. Try as they might and pray as they did at several temples, the
young boy’s inability to speak did not go away.
Worried about what the future
would hold for such a boy, his parents took him to Guru Jagannatha Dasa, a devotee
of Raghavendra Swamy and a leading Haridasa.
Guru Jagannatha Dasa kept his
hand on the head of the boy and blessed him. He then told the astonished
parents that there was nothing wrong with the boy and that he would go on to
become a renown Haridasa.
A few days after this
incident, the boy began speaking and soon exhibited signs of mastery over Kannada. He learnt Sanskrit and
became a school teacher. He also began composing poetry.
This man is none other than Shyamasundara
Dasa (1903-1957), a Haridasa of the 21st century.
Shyamasundara was earlier
known as Karodi Gundacharya. He was born at Ballatagi, a small village near
Manvi in Raichur district. He was a disciple of Ikoor Acharya who was
also known as Narasimhacharya.
He has composed songs with
the ankita Shyamasundara and a compilation of them are available in a book called
Shyamasundara Sthotra Mala. Some of his well-known compositions include Kayo Cauvery
Ranga, Karunya Panga, Kelu Kelelo Tatvajnana, Nataka Darushana, Nodide Venkataramanana
Dwarawada Gramadi Ninta Devana, Ninage Bhodisuve naa, Kshetra chalisalare, Motaru
Vahana, Ide Piyusha Pana, Kshetra Muruthi Shyamasundara Vittala, Kshetradolage
Baro, Sanjeevaraya porevudo sanjeevaraya, aanjaneya bhavabanjana bhayahara,
sanjeevaraya
He is a contemporary to Suladi
Kupperayara, Sririvara Ramachandra Rao, Chitradurga Ramachandra Rao (Tande
Venkatesha Vittalan).
Karodi
Gundachar could not speak till the age of five. His parents took him to Guru Jagananatha
Dasa.
Shyamacharya,
father of Karodi Gundachar, requested Guru Jagananatha Dasa to solve the problem.
Guru Jagannatha Dasa blessed the child and asked the parents not to worry. He
forecast that Gundacharya would become a Haridasa.
Soon, Gundachar studied Sanskrit under Gururajachar. After that, he became a Puroit at Manvi in Raichur district. He then took up the post of a school teacher for an year. He resigned his jib and came back to Manvi and continued his job as a Purohit.
Soon, Gundachar studied Sanskrit under Gururajachar. After that, he became a Puroit at Manvi in Raichur district. He then took up the post of a school teacher for an year. He resigned his jib and came back to Manvi and continued his job as a Purohit.
He
had the ability to compose songs on the spot. He made use of his knowledge of
Sanskrit in composing devaranamas and even enact plays based on Ramayana and the
Mahabharata.
He came in contact with Askhpal Govinda Dasa who then gave him the ankita Shyamasundara.
He came in contact with Askhpal Govinda Dasa who then gave him the ankita Shyamasundara.
He
had an excellent command over the SriHarikathamurutasara and other texts. He
lived most of his life in and around Manvi.
One
of his most memorable composition is Kayoo Kaveri. The English lyrics of the composition
is as follows:
Kayoo
Kaveri Ranga |
Karnuya
Panga|
Devaadideva Ninu|
Devaadideva Ninu|
Pranatha
Janarige|
Devathru Manidhenu|
Devathru Manidhenu|
Eandarithu
Nistalli|
Dhavisi Bhandananu|
Dhavisi Bhandananu|
Raghuvamsa
Bhanu|
Kavnayaa Neenuolidhu Karunadi|
Pavamaniya Shatravarithu|
Kavnayaa Neenuolidhu Karunadi|
Pavamaniya Shatravarithu|
Bhava
Bhakthili Ninna Paduva|
Kovidhare Sevana Madi||
Kovidhare Sevana Madi||
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