One of the most remarkable
Kannada writers of the twentieth century has been Alur Venkata Rao (1880-1964).
Alur was one of the most
eminent leaders of the Karnataka Ekikarana movement. He had a very
strong impact on the Ekikarana movement which was fighting for a
separate state integrating all Kannada speaking areas of Mysore , Bombay Presidency and Nizam's Hyderabad .
He is the author of Karnataka
Gatha Vaibhava. It recounted in great detail the glorious history of Karnataka
until the Marathas, Nizam and the British took over. The book created a tremendous
impact on the people and the Ekikarana movement was an offshoot of this. The
movement soon caught the imagination of the public and people started rallying
around the Ekikarana movement and the movement picked up momentum
The book had an impact that Alur came to be known as
the Kannada Kula Purohita or the “High priest of the Kannada kula
or family.
Alur has written a book on
the philosophy of Madhwacharya in which he has specifically dealt with the Rg Bhashya.
Alur says, “The Shlokas of
this book are composed in a very easy and flowing style. Such Bhashyas on
Vaidic mantras are very rare, or we may say it, is the only one. Though it is
easy in style, it is very, very deep in its meaning. Even well- versed Pandits
cannot know easily its deep philosophical meanings”.
He says the Pramanas and
examples given in the Bhashya can be nowhere
else but in the Vedas only. Hence, he feels that mere
Sanskrit Pandits or scholars cannot
know its secret meanings.
He says another special
feature of the book is that this book
on Vedas is composed by a
Sanyasi. Of all the Sanyasis, Madhwacharya is the only one who has composed
such a book.
To Alur, the Rh Bhashya is a
small book in Sanskrit in Anushtup Chhandas. Alur found that it contained 489
Shlokas.
He found it easy to memorise
the lines as they are ion the form of poetry. Madhwacharya’s scholarly work in
writing in poetry what is essentially one of the oldest literary works in the
world is nothing short of stunning for Alur.
He sees the Bhashya as the
first of its kind-a fitting annexe to the Veda Mantras. Such a writing is rare and
exceptional to Alur as he says all commentaries in Sanskrit literature such as
Panini Sutras, Maha Bhashya of Patanjali, Shaber Bhashya and works on Mimasa
and Upanishats are in Sanskrit prose. None, he says, have ever even attempted
to wrote in poetry, let alone attempt a metrical text.
Therefore, Alur says, the Rg Bhashya
deserves to be ranked alongside other Vedic compositions.
Alur reveals that the book comes
up with the etymological meaning of Vedic words, which are not to be found in
common Sanskrit literature. Some of the meanings are so complex that they have
not been understood even today. Madhwacharya, on the other hand, not only
explains them but also traces their etymology and history.
Madhwacharya, to Alur, has
fashioned the meaning of Vishnu Para in a
broad sense. Unfortunately, it became sectarian in the eyes of some people. He
finds the Shlokas very easy and composed in a flowing style.
Alur, therefore, says such
Bhashyas on Vaidic mantras are very rare, or this should be the only one.
Though the style is easy, Alur says it has several layers of meaning. Even well
versed Pandits cannot easily understand its deep philosophical meanings.
Alur finds it interesting
that Madhwa’s last main proposition in the Bhashya is about the hierarchy of
Gods from Chaturmukha Brahma downwards differing in grades and degrees. He says
Madhva views the whole of Rg Veda as essentially a
theosophical document. Madhwacharya
thus takes the words of the Geeta, the Katha Upanishad and the Bhagavata
literally, and views the entire sacred literature as part of Vedanta.
Alur notes that Madhwacharya maintains
the doctrine of three-fold interpretation of Veda in the Bhashya. The Supreme
Being or Vishnu is its highest subject matter. All scriptures, including the Rg
Veda, primarily sings the glory of the Supreme being. Madhwacharya thus
discounts the popular notion that the Vedas
sing the praises of plurality of gods.
All the gods for Madhwacharya
are subordinate to Vishnu. Thus, the Bhashya for Alur provides details of the
mystic line of interpretation of Madhwacharya.
Interestingly, Madwacharya’s stand
on the Rg Veda has been vindicated by modern scholars. The scholar-mystic Sri
Aurobindo, in his “The Secret of the Veda” completely agrees with Madhwacharya
that vedic hymns are clothed in symbolic terminology.
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